Netflix, Amazon battle over German Cold War spy dramasThe Lives of Others German: Das Leben der Anderen is a German east german spy movie film, marking the feature film debut of filmmaker Florian Henckel von Donnersmarckabout the monitoring of East Berlin residents by agents of the Stasithe GDR 's east german spy movie police. The film was released in Germany on 23 March At the same time, the screenplay was published by Suhrkamp Verlag. The film had earlier won seven Deutscher Filmpreis awards—including those for best film, best director, best increase free testosterone herbs, best actor, and best supporting actor—after setting a new record with 11 nominations. Released 17 years after the fall of the Berlin Wallmarking the end of the East German socialist state, it was the first notable drama film about the subject after a series of comedies such as Good Bye, Lenin!
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Unlike more traditional spy films, The Lives of Others doesn't sacrifice character for cloak and dagger chases, and the performances notably that by the late Ulrich Muhe stay with you. The Lives of Others is a powerful but quiet film, constructed of hidden thoughts and secret desires.
Florian Henckel von Donnersmarck's film is a melodrama in a minor key, quietly affecting, quietly chilling, quietly quiet. It captures the drab architecture of totalitarianism, the soul-dead buildings of a soul-dead state.
Its suspense builds on the fragile and nuanced business of emotional rebirth. Few would deny that The Lives of Others is true to its self, and in its depiction of human nature -- and human spirit. Cinematic smugness has a fatal impact on the delineation of Wiesler's quietly heroic political calisthenics and The Lives of Others' supposedly uplifting denouement. The worst crime that this film has to offer is pure old simple dumbness, paper-thin characters, and a plot that leans heavily on artiness to give it the look of a more serious thinking story.
Reopens our eyes to the cruelties and soul assassinations that were carried out daily in the name of state socialism. The scope is especially impressive given that the movie is about a society obsessively focused on the tiniest of details. Activism proves tough on people who've thrived at their political patrons' blessings, and one character cruelly chooses a path of least resistance when the chips are down.
A cataclysmic conclusion depicts political clamps on expression and emotion. If the filmmaker commits a crime, it's in pushing the [Stasi] character's rehabilitation slightly too far--about as much as the weight of a teardrop. While most dystopian texts and films deal with the fight between the enemy government and the hunted citizens this film deals more in showing how all people were oppressed by this form of Communism, and the lengths this government took in silencing dissenters.
It created a blatant, all-encompassing fear among its people as well. The characters have complex motivations for their actions: The transformation of the main character from a detached and yet passionate government worker, into a fully realized dissenter, is shown throughout the course of the film. The irony of the events, and the interconnected evolution of each character's feelings towards their country, shape the film's narrative.
Much of this film remains gripping if not subtle in its depictions. Not only will you learn quite a bit about the operational exploits of the Stasi, but the true feelings of oppression exhibited by the main characters.
The time is The place is East Germany. Our protagonist is a member of the Stasi, or State Secret Police. His job is to constantly monitor the activities of whoever he is told to. And he does, being the consummate professional that he is. Things start to get iffy though when he is assigned to monitor a playright who has a reputation for being a staunch pro-Communist I really loved this one. It's weird for me to say that too, because surveillance and bugging, and all of that creeps me out.
The world of paranoia and secrecy is quite fascinating though, especially here since this is a period piece rooted in interesting history. The film is subtle, quiet, intelligent, and really rewarding for the patient.
It is a thriller, bbut not the slam bang wall -to-wall action type, and that's what I liked about it. Yeah, there's some development lacking with some of the characters, but overall this is still a marvelous piece of work with some tremendous acting, good ideas, and great subject matter.
Definitely give this one a look. It's not going to be for all tastes, but if you enjoyed something like Tinker Tailor Soldier Spy, then you'll probably enjoy this one as well. A member of the East German secret police who is investigating a famous playwright and suspected subversive grows ever more sympathetic towards the people he is spying upon when faced with the everyday pressures of the oppressive regime he represents.
Although touted as a "thriller", anyone expecting car chases and shoot-outs from The Lives Of Others will be gravely disappointed. It's a far more intellectual exercise that examines the meaning of freedom and its intimate link with personal privacy, something violated with impunity by The Stasi in the post war years of communist Germany.
It is only when he is faced with the reality of the invasive system he is a part of that he begins to question the validity of his activities; especially when it becomes obvious that the accusations were made by a corrupt superior out of sexual jealousy and a colleague who sees the ruination of an obviously decent couple as a mere means to furthering his own career. Very nicely shot and performed, It's a thoughtful and beautifully crafted story that exercises the brain rather than the adrenaline gland and is all the more rewarding for it.
Reminded me of Terry Gilliams's Brazil but with none of the the fantasy elements. And a lot more somber. Any one else get that? Also, one of the best last lines ever. Audience Score Percentage of users who rate a movie or TV show positively. More Top Movies Trailers Forums.
Robbin' Season Black Lightning: Season 1 Fear the Walking Dead: Season 2 The Walking Dead: Rank Every Friday the 13th Movie. The Lives of Others View All Photos A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck.
It's , and Capt. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Grubitz Ulrich Tukur , invites him to a theatrical piece by celebrated East German playwright Georg Dreyman Sebastian Koch , Minister Bruno Hempf Thomas Thieme informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help.
Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however from a secret surveillance station in the gentleman's attic , he discovers the writer is one of the few East Germans who genuinely believes in his leaders.
This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska Volkmar Kleinert , is driven to suicide after himself being blackballed by the government.
Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression.
Florian Henckel von Donnersmarck. Martina Gedeck as Christa-Maria Sieland. Sebastian Koch as Georg Dreyman. Ulrich Tukur as Oberstleunant Anton Grubitz. Thomas Thieme as Minister Bruno Hempf. Hans-Uwe Bauer as Paul Hauser. Herbert Knaup as Gregor Hessenstein. Volkmar Kleinert as Albert Jerska. Matthias Brenner as Karl Wallner.
Ludwig Blochberger as Nowack. Thomas Arnold as Benedikt Lehmann. Werner Daehn as Einsatzleiter in Uniform. Marie Gruber as Frau Meineke. Volker Zack Michalowski as Schriftexperte. Martin Brambach as Officer Meyer. Hubertus Hartmann as Egon Schwalber. Hinnerk Schonemann as Unterleutnant Axel Stigler. Susanna Kraus as Andrea. Gabi Fleming as Ute. Michael Gerber as Doctor Czimmy. Fabian von Kiltzing as News Presenter. Harald Polzin as Guard. Sheri Hagen as Martha in Elja-Dusa Kedves as Anja Hildegard Schroedter as Elena in Inga Birkenfeld as Elena in Philipp Kewenik as Man Arresting Christa.
Ernst-Ludwig Petrowsky as Band Leader. Manfred Ludwig Sextett as Band. Kai Ivo Baulitz as Bookseller. September 21, Rating: March 16, Rating: March 2, Rating: A political thriller that's consistently as inventive as it is creepy.